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1980s: A devastating, timely portrait of two young men and an entire city formed and deformed by war.
1980s: A devastating, timely portrait of two young men and an entire city formed and deformed by war.
Bassam and George are childhood best friends who have grown up on the Christian side of war-torn Beirut. Now on the verge of adulthood, they must choose their futures: to remain in the exhausted, corrupt city of their birth, or to go into exile abroad, cut off from the only existence they have known.
Bassam chooses one path – obsessed with leaving Beirut, he embarks on a series of petty crimes to fund his escape to the West. Meanwhile, George amasses power in the underworld of the city, embracing a life of military service, organised crime, killing, and drugs. But their two paths inevitably
collide, with explosive consequences.
“Inside their houses, the impoverished women carefully, economically, dripped water from red plastic buckets over their brown skins in ancient Turkish bathtubs, washing away the dust, the smells, the baklava-thin crust, the vicious morning gossip over tiny coffee cups, the poverty of their husbands, the sweat under their unshaven armpits. They washed like meticulous Christian cats that lick their paws under small European car engines that leak corporate oil extracted by exploited Nigerian workers from underneath the earth where devils roam, and worms gnaw on the roots of dead trees that are suffocated by factory fumes and the greedy breath of white-skinned engineers. Those lazy cats lingered under unwashed cars, watching the passing of Italian shoes, painted nails, colourful and torn-out cuffs, pointy high heels, plastic flippers, stomping naked feet, and delicious exposed ankles that thick hands would bind, release, and slip higher to reach a flow of warm fluid that carefully, generously turned into a modest flood smelling of eel, red fish, and rosewater.”
Destination: Beirut, Paris Author/guide: Rawi Hage Departure: 1980s
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