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1960s: Secrets within families stretching out over the decades have a tendency to smother like snow. They twinkle and taunt, the facade bright and promising, but once the snow melts…
1960s: Secrets within families stretching out over the decades have a tendency to smother like snow. They twinkle and taunt, the facade bright and promising, but once the snow melts…
Cressida is a debutante in London society, courting and set to marry. To mark the occasion, her father orders a painting of her. But as soon as Cressida mets the enigmatic painter Ralph Few, she is smitten. It seems her feelings are reciprocated but there is a Mrs Few – Catherine, and she won’t give up Ralph without a fight.
Present day – Emily Conway is almost killed when her husband’s car careers off the road. She had just found out that they were in serious debt following a bad business deal. But as she wakes from her injuries, her husband remains in a coma and she finds out a lot more about their tragic situation.
Then she gets a letter stating that she has been left a legacy by a woman she has never met. A house in Cumbria. Just what kind of mystery will she have to unravel next?
From the drawing rooms of London society and the debutante world, we are drawn into the world of poverty and the education of children as Cressida, tired by her opulent world seeks a challenge in becoming a teacher. The metro stations seem to act as door to her future –
She emerged red faced and hot in the late afternoon sun, the station steps leading out into a different world from the one she had descended from in Upton Park, the Georgian elegance contrasting with the wreckage and poverty of East London
For the school she wants to work in and prove herself is in the poor area that she has been protected from but which captivates her in a way that nothing has before.
She lives in a house with a ‘large black front door on a quiet street in Kensington’ but when she meets the artist from Blackheath she is quite literally transported to another world again – as she looks at an abstract painting –
“It was entrancing and seemed to promise revelations if only she could look long enough”
The setting blending the two time periods together is the house in Cumbria linked to both stories in some way – December House is located in Cumbria, not far from Carlisle and provides the mysteries and gothic overtones of a house with many secrets hidden inside. The even more mysterious paintings of the house keep the most secrets of all –
“The whiteness of the picture gradually began to absorb her until she felt as though she was in the painting herself, standing on a crisp, chill layer of snow”
The house is remote, comes complete with a small Keeper’s cottage and there are lots of things to be revealed within its walls..