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1890s: The city of Bruges is so magical yet often desolate place and is a fine setting for a novel of mystery and decay.
1890s: The city of Bruges is so magical yet often desolate place and is a fine setting for a novel of mystery and decay.
Hugues Viane is a widower and sees Bruges as a melancholy, decaying city – the ideal location in which to mourn his wife. However, it’s not long before he becomes obsessed with a young dancer who he thinks looks very like his beloved wife. This thought messes with his mind and leads him down the path of utter torment ultimately leading to murder.
Bruges, the ‘dead city’, becomes a metaphor for Hugues’ dead wife as he wanders amongst its labyrinth of streets and canals reflecting about the author’s lifelong love affair with the enduring mystery and mortuary atmosphere of Bruges.
“The Belgian writer Georges Rodenbach is identified above all with the city of Bruges. He became well known for writing about its crumbing churches, houses and canals. Bruges became a desolate place which was popular in art and literature. The new port of Zeebrugge would later give the city a new lease of life”
Rodenbach interspersed his text with dozens of black-and-white photographs of Bruges. It is believed to be the first work of fiction illustrated with photographs.